Dob: 1/1/1943 Region: Gunbalanya (Oenpelli) Country: Kudjekbinj, Djalbangurr Language: Kunwinjku Language Group: Mayali Social Affiliations: Dhuwa moiety, Nakodjok subsection
Collections Held:
Artbank, Sydney.
Art Gallery of Western Australia, Perth.
National Gallery of Australia, Canberra.
National Gallery of Victoria, Melbourne.
Parliament House Art Collection, Canberra.
The Holmes a Court Collection, Perth.
The Kelton Foundation, Santa Monica, U.S.A.
Museum and Art Gallery of N.T.
Awards:
1985, First Prize, National Aboriginal Art Award, Northern Territory Museum of Arts and Sciences, Darwin.
Exhibitions:
1984, The First National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin
1984, Aboriginal Art, an Exhibition Presented by the Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra
1985, The Second National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin
1986, The Art of the First Australians, Kobe City Museum, Japan
1986, The Third National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin
1986, My Country, My Story, My Painting: Recent Paintings by Twelve Arnhem Land Artists, National Gallery of Australia exhibition at the Drili Hall Gallery. Canberra
1987, Art and Aboriginality, Aspex Gallery, Portsmouth, UK
1988, Dreamings, the art of Aboriginal Australia, The Asia Society Galleries, New York.
1989, A Myriad of Dreaming: Twentieth Century Aboriginal Art, Westpac Gallery, Melbourne; Design Warehouse Sydney [through Lauraine Diggins Fine Art]
1989, Aboriginal Art: The Continuing Tradition, National Gallery of Australia. Canberra
1990, Balance 1990: views, visions, influences, Queensland Art Gallery, Brisbane.
1990, I’ete Australien a’ Montpellier, Musee Fabre Galiery, Montpellier, France.
1990, Spirit in Land, Bark Paintings from Arnhem Land, National Gallery of Victoria
1990, Keepers of the Secrets, Aboriginal Art from Arnhemland, Art Gallery of Western Australia, Perth
1991, Flash Pictures, National Gallery of Australia
1995, The Twelfth National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin.
Selected Bibliography:
Caruana, W.,1993, Aboriginal Art, Thames and Hudson, London. (C)
Diggins, L. (ed.), 1989, A Myriad of Dreaming: Twentieth Century Aboriginal Art, exhib. cat., Malakoff Fine Art Press, North Caulfield, Victoria.
Johnson, V.,1987, Art and Aboriginality, exhib. cat., Aspex Gallery, Portsmouth, UK. O’Ferrall, M.
1990, Keepers of the Secrets, Aboriginal Art from Arnhemland in the Collection of the Art Gallery of Western Australia, Art Gallery of Western Australia, Perth. (C)
Ryan, J.,1990, Spirit in Land, exhib. cat., National Gallery of Victoria, Melbourne.
Sutton, P. (ed.),1988, Dreamings: the Art of Aboriginal Australia, Viking, Ringwood, Victoria. (C)
Wallace, D., Desmond, M., Caruana, W.,1991, Flash Pictures, exhib. cat., National Gallery of Australia, Canberra.
1994, Kunwinjku Art from Injalak 1991-1992, The John W. Kluge Commission, Museum Arts International Pty. Ltd., North Adelaide.
� Discovery Media, Documentation Pty Ltd, and the Australian
Institute of Aboriginal and Torres Strait Islander Studies
Details:
Djawida was born out in the bush on his father’s country at Dialbangurr. His family eventually moved into Oenpelli where his mother and father worked as buffalo skinners and salters. Djawida went to school in Oenpelli and grew up in the area. Sometimes the family visited their country and it was on those trips that Djawida became interested in painting. He first started to paint on rock, copying existing rock paintings, especially animals and the mimi spirits. He also left his hand and foot stencils on rock in lots of places.
Djawida taught himself to mix ochres and paint. He eventually moved onto painting Barks and in the last few years, Archer’s paper. He also makes spears and didjuridus. He paints stories from his father’s country at Djalbangurr, his mother’s country at Kudjekbinj including nawurra story, and sometimes his grandmother’s country near Manmoyi.
Born: c1956
State: NT
Region: Central Desert
Community: Utopia
Outstation: Alhalkere
Language: Anmatyerre
Social Affiliation: Petyarre subsection
Subjects: Alkalhere country, dingo, bush turkey, bush tomato, centipede, scorpion, medicine leaves.
Medium: Batik on silk, Acrylic on canvas
Collection:
The National Gallery of Australia, Canberra.
The Holmes a Court Collection, Perth.
Exhibitions: Group Exhibitions:
2021 Top 20 2021, Art Mob, Hobart
2020 Central Focus, Art Mob, Hobart
2020 Top 20 Exhibition, Art Mob, Hobart
2019 Summer Show & Art Parade, Salt, Queenscliff, VIC
2019 defining tradition | black + white, Kate Owen Gallery, Sydney
2019 International Women’s Day, Kate Owen Gallery, Sydney
2011 Thinking outside the square, Kate Owen Gallery, Sydney
2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles
2008 Three Petyarres”, Kate Owen Gallery, Sydney
2006 Cicada Trading, Paris
2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain
2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston
2006 Cicada Trading, Abu Dhabi, United Arab Emirates
2006 Cicada Trading, Dubai
2005 Cicada Trading, Milan
2005 Cicada Trading, Illayda, Istanbul
1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs
1990 A Picture Story exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland
1989 Utopia Women’s Paintings the first works on canvas
Bibliography:
Brody, A., 1989, Utopia Women’s Paintings: the First Works on Canvas, A Summer Project, 1988-89, exhib. cat., Heytesbury Holdings, Perth. (C).
Brody, A., 1990, Utopia: a Picture Story, 88 Silk Batiks from the Robert Holmes a Court Collection, Heytesbury Holdings Ltd, Perth. (C)
Jeannie was born in 1956 to a family of well-known artists. She is the sister of the well known Gloria Petyarre, Kathleen Petyarre, Ada Bird Petyarre, Violet Petyarre, Myrtle Petyarre and Nancy Petyarre. Jeannie started painting batik work in the eighties. She paints leaves like her sister Gloria Petyarre, but also Bush Medicine Dreaming, Bush Peanut Dreaming, Mountain Devil Lizard (arnkerrthe) Dreaming, Yam Seed Dreaming and she, like her sister, is known for the use of vibrant colours.
Jeannie paints bush tucker stories, such as yams and yam root systems. Her work is characterised by vibrant designs celebrating the spirit of the Yam plant as it generates year after year to feed the people. This colourful style was taught to her by her Aunt, the famous Emily Kame Kngwarreye, who told Jeannie before she died that she must continue to paint the family’s Yam Dreaming.
