Awards
2003, Highly Commended, 20th Telstra National Aboriginal and Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, Darwin.
Collections Held
Musee du Quai Branly, Paris Art Gallery of NSW, Sydney National Gallery of Victoria, Melbourne National Gallery of Australia, Canberra Western Australian Art Gallery, Perth South Australian Art Gallery, Adelaide Museum and Art Gallery of the Northern Territory, Darwin Elizabeth and Colin Laverty, Sydney Patrick Corrigan, Sydney Auscorp, Sydney Kerry Stokes, Perth
Exhibitions:
Group Exhibitions:
2010 Irrunytju Artists, Agathon Galleries, Sydney 2009-2010 Emerging Elders – honouring senior Indigenous artists , National Gallery of Australia, Canberra 2009 Kutu Wara (The Last One), Solo Exhibition, Agathon Galleries Sydney 2009 Nganmapa Ngura (My Country) Irrunytju Artists, Linton and Kay Fine Art, Perth 2009 New Works: South Western Desert Art of Australia, Agathon Galleries Sydney, Melbourne 2009 Nganampa Tjukurpa: South Western Desert Art of Australia’, Agathon Galleries Sydney 2009 Agathon Galleries Sydney, Melbourne 2008 Agathon Galleries Sydney, Melbourne 2008 Lismore Gallery 2008 2003, 2002 Selected for Telstra National Aboriginal & Torres Strait Islander Art Award 2007 Musee du Quai Branly, Paris (permanent exhibition) 2007 One Sun, One Moon, Art Gallery of New South Wales, NSW 2007 Tommy Watson, Solo Exhibition, Agathon Galleries, NSW 2007 Senior Irrunytju Artists, Agathon Galleries, VIC 2007 Irrunytju Fundraiser Exhibition Agathon Galleries, NSW 2006 Tommy Watson, Solo Exhibition, Agathon Galleries, VIC 2006 Landmarks, National Gallery of Victoria, VIC 2006 Mus�e du Quai Branly Paris, France 2005 Tommy Watson, Agathon Solo Exhibition, Sydney NSW 2005 Cairns Regional Art Gallery, QLD 2005 Wollongong City Art Gallery, NSW 2005 Royal Melbourne Institute of Technology (RMIT) Gallery, VIC 2005 Ngayuku Ngura (My Country), Vivien Anderson Gallery, VIC 2005 Senior Irrunytju Men, Aboriginal and Pacific Gallery, NSW 2004 Colour Power: Aboriginal Art post 1984, National Gallery of Victoria, VIC 2004 NATSIAA – Celebrating 20 Years, National Archives of Australia, ACT 2004 Tandanya National Aboriginal Cultural Institute, SA 2002/2003/2008 Finalist in Telstra National Aboriginal & Torres Strait Islander Art Awards
Select Bibliography:
Allen, Felicity, “Aborigines conquer colour barrier”, Herald Sun, 1/12/2004, pp55. Askin, Pauline, “Aboriginal art master puts on final public show”, Reuters, 4/9/9/2009 Askin. Pauline, “Aboriginal master puts on final public show”, Yahoo! News (UK and Ireland), 4/9/2009 Askin, Pauline, “Aboriginal master puts on final public show’”, Yahoo! News (USA), 4/9/2009 Backhouse, Megan, “Art from the centre”, The Age, 30/7/2003 pp12. Backhouse, Megan, “Maynard snaps up Challis award”, The Age, 22/10/2003 pp8. Backhouse, Megan, “Visual Arts Dominate RAKA Award show”, The Age, 1/11/2003 Backhouse, Megan, “French Passion for Aboriginal art”, The Age, 20/10/2004, pp8. Backhouse, Megan, “Art around the galleries”, The Age, 4/11/2006, pp24. Blackwood, Torsten, Photos, The Wall Street Journal, http:topics.wsj.com/subject/a/Aborigines/1687/photos, 4/9/9/2009 Blackwood, Torsten, “Australia-Art- Aborigines-Watson”, Mediafax foto, 4/9/2009 Bock, Andrew, “Radical Contemporaries”, Australian Art Review, February-April, 2009, pp39 Boyce, Alexandra, “Art”, Sun-Herald, 25/6/2006, pp28. Button, James, “Taking Arnhem Land to the world”, The Age, 10/9/2005, pp12. Button, James, “Artists’ stories will live on forever in Paris museum”, Sydney Morning Herald, 10/9/2005. pp19. Button, James, “Dotted Pathways from the outback to the Skies”, Sydney Morning Herald, 20/6/2006. Buzacott, Martin, “The Bright Lights Illuminating Paris”, Courier Mail, 17/6/2006, pp4. Cosic, Miriam, “Home for hopes and Dreaming”, The Weekend Australian, 17/6/2006, pp19 Crawford, Ashley, “Architecture for the Irrunytju”, The Age, 21/9/2005, pp17. Crawford, Ashley, “A broad brushstroke”, The Age, 19/5/2007, pp18. Cubby, Ben, Lauren Martin, “Seine scene -stealers”, Sydney Morning Herald, 12/10/2004 pp16. Catalogue of Works, Desert Mob, 2003, Araluen Art Centre, Alice Springs Culturla precinct, Alice Springs, 2003 Creagh, Sunanda, “Native titles honoured half a world away”, Sydney Morning Herald, 31/5/2006, pp7. Creagh, Sunanda, “Shalom Gamarada”, Sydney Morning Herald, 24/6/2006, pp16. Eccles, Jeremy, “”Culture Wars”, Art Market Report, Issue 34, Fourth Quarter 2009, pp28-30 Eccles, Jeremy, “MGNT Considers Future of Telstra Art Award”, Aboriginal Art Online,1/10/2008 Eccles, Jeremy, “The stars of Aboriginal Art”, Aboriginal Art Online 27/3/2008 Eccles, Jeremy, “Now who’s bagging whom?”, Australian Art Market Report, Autumn, 2006 pp24-5 Frank, Lillian, “Popular art”, Herald Sun, 21/10/2005, pp106. Geissler, Marie, “The Art of Tommy Watson”, Craft Arts International, No. 73, Sydney, 2008 pp2-6. Geissler, Marie, “Boom Time For Australian’s Indigenous Art”, Platinum Magazine. No 1, Journal International, Hong Kong, 2008, pp48-49. Geissler, Marie, “A Passionate Engagement; Marie Geissler on Collecting Aboriginal Art”, Canvas, December 2008 Geissler, Marie, Review of McCulloch’s Contemporary Aboriginal Art: the complete guide, Craft Arts International, No.76, pp114-5 Grigg, Mik, “Art Melbourne 06 VIP Night”, The Sunday Age, 23/4/2006, pp20. Guy, Anna, “Yannima Tommy Watson” (Reviews), Craft Arts International, No.78, 2010, pp3 Harper, Alison, “Black Art Goldrush, Australian Art Market Report, Summer 2005/6 Hudson, Fiona, “Parisian Dreaming”, The Advertiser, 24/6/2006, pp4. Hudson, Fiona, “Black and bleu”, Herald Sun, 24/6/2006, pp13. Hudson, Fiona, “Art of the controversial”, Courier Mail, 24/6/2006, pp7 Hutchings, Patrick, “At the roots of art”, The Age, 8/7/2006, pp5. Jackson, Andra, “Outback nomad strides to success”, The Age, 8/5/2008. Knights, Mary, et al: Irrunytju Arts, 2006, p 72 Laverty, Colin and Elizabeth Laverty, Beyond Sacred, Hardie Grant Books, Prahan, Victoria, 2008, pp106-7 McCulloch, Emily, New Beginnings: Classic Paintings from the Corrigan Collection of 21st Century Aboriginal Art, McCulloch & McCulloch Australian Art Books, Fitzroy, Vic., 2008 McCulloch, Susan, “Biting the hand”, The Weekend Australian, 30/8/2003, pp25. McCulloch, Susan, “Desert blooms with raw energy”, Weekend Australian, 13/9/2003, pp21 McCulloch, Susan, McCulloch’s Contemporary Aboriginal Art: The Complete Guide, McCulloch & McCulloch Australian Art Books, Fitzroy, Vic., 3065, 2008 McDonald, John, “A shredded dollar for their thoughts”, Sydney Morning Herald, 5/11/2005, pp28. McDonald, John, “The guiding lights”, Sydney Morning Herald, 23/12/2005, pp18. McDonald, John, “Viola, the art of reconciliation”, Sydney Morning Herald, 1/7/2006, pp16. McDonald, John, “Mirror, mirror on the wall”, Sydney Morning Herald, 12/8/2006, pp16. McDonald, John, “Future Dreaming”, Qantas Magazine, 2006 McDonald, John, “The Latest How”, Sydney Morning Herald, 27/12/2006, pp25. McDonald, John, “Future Dreaming”, Qantas Magazine, 2006. McDonald, John and R. Ian Lloyd, Studio; Australian Painters on the nature of creativity, R. Lloyd Productions Pty. Ltd. Singapore, 2007 McGregor, Ken, Marie Geissler, “Yannima Pikarli Tommy Watson”, Macmillan, Melbourne, Victoria, 2011 Mundine, Djon, “The Hosukai Effect, Yannima Tommy Watson”, http://www.abc.net.au/indigenous/stories/s2293600.htm, 2008 Neill, Rosemary, “Cultures reign on the Seine”, The Australian, 12/10/2004, pp14. Perkins, Hetti, Margie West, One Sun, One Moon, Aboriginal Art in Australia, Art gallery of New South Wales, Sydney, 2007, pp28. Perkins, Hetti, “Aboriginal Art of the Walls of Paris”‘ Look, 2006, pp15-7 Porter, Jeni, “Black dreaming takes wing in France” Sydney Morning Herald, 19/7/2005, pp13. Reid, Graham, “Postcards”, Artnews New Zealand, Summer Edition, pp44 Michael, Reid, “Tommy Watson”,The Art Oracle, Sydney Morning Herald Room Brochure, 20th National Aboriginal and Torres Strait Islander Award, 2003, pp4 Rothwell, Nicholas, “Remember Wingellina – The life and death of an art phenomenon – Dust to dust”, The Weekend Australian, 23/8/2003, pp1. Rothwell, Nicholas, “Lines shimmer into shape”, The Australian, 13/9/2005, pp14. Rothwell, Nicholas, “Desert Artists Make a Move”, The Australian, 17/10/2006 Rothwell, Nicholas, “Theory of National Selection”, The Australian, 19/8/2008 Ryan, Judith, Landmarks, National Gallery of Victoria, Melbourne, 2006, pp71. Ryan, Judith, (ed.),Colour Power, Aboriginal Art Post 1984, in the collection of the National Gallery of Victoria, pp112. Stewart, Phoebe, “Alice gallery defends its honour in court”, Northern Territory News, 12/7/2007, pp9. Stewart, Phoebe, “Artist wins $300,000”, Northern Territory News, 12/4/2008, pp11. Stewart, Phoebe, “This was a fight about artists”, Northern Territory News, 12/4/2008, pp20. Stowell, Jill, “A glimpse of brilliance”, Newcastle Herald, 19/5/2007, pp30. Sweet, Michael, “Mining the desert for art , not history”, The Australian, 7/9/2004, pp16. Symons, Emma Kate, “View on the Seine is Aboriginal”, The Australian, 9/9/2005, pp18. www.daao.org.au/main/quick_search?q=balgo&page=3 Wilson, Ashley. “Last Hurrah for old man of brush”. The Australian, 7/7/2009,pp7 � Discovery Media, Documentation Pty Ltd, and the Australian Institute of Aboriginal and Torres Strait Islander Studies